Michael Paglia, arts and culture writer for the Denver Westword, refers to Swanson as, “one of the region’s top conceptual artists.”
Read the full article here.
In her article from The Boulder Weekly, Caitlin Rockett writes that Swanson, “makes tangible the intangible, transforming words into physical manifestations, and in the process often dismantles the contemporary power structures words create.”
Read the full article here.
The Denver Westword’s arts writer Michael Paglia reviewed Desirable Objects and Cabinet, in which he notes, “At first blush, Desirable Objects has an elegant minimalism; it’s a spare installation with lots of rectilinearity. But when you look closer, you realize that the topic is not formalism, but rather autobiography.”
Independent writer Ray Rinaldi analyzes the material and social aspects of Desirable Objects and Cabinet in his article for the Denver Post, referring to Milner as “… the most talented of Denver’s emerging, young artists “.
Joel Swanson and Laura Shill
On the occasion of the 57th Venice Biennale
Palazzo Bembo, located off the Grand Canal in Venice, Italy
Presented by Black Cube Nomadic Museum.
Saturday, May 13th – Sunday, November 26th, 2017
Free and open to the public.
David B. Smith Gallery is proud to support artist Joel Swanson in a two person exhibition, Personal Structures, in Venice, Italy, occurring concurrently with the 2017 Venice Biennale. Presented by Black Cube Nomadic Museum and curated by Cortney Lane Stell, Swanson is exhibiting alongside Denver artist Laura Shill, as the two examine the concepts and cultural uptake of gender and language. Personal Structures, located in the historic Palazzo Bembo, recently called “a nimble counterpoint to the more top-heavy parts of Venice’s Biennale” in an article by Terence Trouillout for artnet, marks the debut of Colorado artists in Venice for this renown cultural event.
Have you ever been writing a word and for a brief moment it looks strange? It seems to almost lose its meaning? This happens to me when I write the word “what.” I stare at the word, sound it out, but it just seems foreign. Technically, this phenomenon is known as aphasia, the condition when someone loses the ability to understand language, typically due to some type of brain trauma. There is something so vulnerable and terrifying about losing our primary mode of communication, but it also allows us to see and experience the world without this wrapper of words and language. This is what Paul Valery means when he says, “To see is to forget the name of the thing one sees.” Perhaps my work might induce a brief (and non-violent) moment of aphasia in its viewers; that it might offer a fleeting but significant experience where we see through, or perhaps beyond language, and help us experience the world in a different way. – Joel Swanson, from interview with Stephanie Edwards.
“To maintain the lively exhibition schedule at his eponymous gallery, David B. Smith travels the country, checking out cutting-edge artists in New York, Los Angeles, Miami, even Boulder. He’s always looking for new talent for his aesthetically tight exhibitions, and his current offering, Range, is proof of that. New Yorker Penelope Umbrico uses iPhone apps to riff on the history of landscape photography as inspired by the work of the masters of that medium. The resulting digital photos infuse the original black-and-white views of the mountains made with film with colors from computer codes, in the form of shooting stripes or bars in toned-up shades, running right through the scenery. This show is part of the Month of Photography; at other times on the exhibition calendar, you might encounter interactive installations, or paintings that rise a foot off their surfaces, or sculptures that light up, or any number of imaginative takes on contemporary conceptual art.”
Jason Middlebrook’s solo exhibition Drawing Time received reviews from both Westword Magazine’s Michael Paglia and Interview Magazine’s Armchair Traveler.
Michael Paglia’s review “Jason Middlebrook’s Drawing Time Dazzles at David B. Smith,” can be read here.
Also included in Interview Magazine’s weekly Armchair Traveler, Drawing Time was listed as an international ‘must see.’ The exhibition was included alongside three great exhibitions including Claudia Comte at Musée Cantonal Des Beaux-Arts in Lausanne, Switzerland, Frank Stella at Moderna Museet in Stockholm, Sweden, and Tal Streeter at Storm King Art Center in New Windsor, New York. The featured article, Armchair Traveler: Zig Zag, can be found here.
In March 2016, Adam Milner was included in a group exhibition, Fung Wah Biennial, at Flux Factory, New York City. He was also included in reviews of the Fung Wah Biennial in Art in America, Hyperallergic, and The Gothamist.
Milner recently completed a two-month residency at Casa Maauad in Mexico City. His resultant solo exhibition, A History of Man, his first international solo show, opened August 18, 2016. Images of the exhibition can be seen here.
Joel Swanson’s work is included in the collection of Denver’s newly opened Halcyon Hotel in Cherry Creek North. Sincerely is installed in the foyer area of the hotel and can be seen in situ in The Denver Post article featuring the hotel. The full article and slideshow of the hotel’s interior can be seen here.
In August, Swanson also completed a commission for Twitter.
Michael Theodore’s second solo exhibition with the gallery, Supraliminal, received a terrific review in The Denver Post. Rinaldi states “Theodore’s work is contemplative, but his high-tech edge makes the offerings a product of their time.”