The Denver Westword’s arts writer Michael Paglia reviewed Desirable Objects and Cabinet, in which he notes, “At first blush, Desirable Objects has an elegant minimalism; it’s a spare installation with lots of rectilinearity. But when you look closer, you realize that the topic is not formalism, but rather autobiography.”
Independent writer Ray Rinaldi analyzes the material and social aspects of Desirable Objects and Cabinet in his article for the Denver Post, referring to Milner as “… the most talented of Denver’s emerging, young artists “.
The Warhol presents the seventh iteration of the Exposures series: Remains by Adam Milner. Remains, a new work made expressly for The Warhol, presents an installation of fragmented bodies made up of casts, mementos, and detritus from our everyday lives. Working within a social and performance practice, Milner creates collections and archives that blur boundaries between private and public, the intimate and detached. This Exposures project is incorporated in the museum galleries, and Milner excavates both his personal life as well as the museum archives collection to assemble site-specific works that reveal a deep desire to understand where a body begins and ends, who has control of it, and how we can better empathize with non-human bodies. Comprised of numerous small objects—a wisdom tooth from an ex-boyfriend cast in silver, objects from Andy Warhol’s personal archive and life, fingernails from a stranger—the artifacts add up to bodies, in the way an archaeologist might reconstruct a figure with excavated bones and fossils. Milner’s work, while deeply personal, ultimately deals with broader notions of exchange and desire. His installation is exhibited on the 3rd floor near the museum archives collection and Time Capsules.
In conjunction with his exhibition at The Andy Warhol Museum, Remains, Adam Milner was recently profiled by The Glassblock. This artist talk not only highlighted his most recent exhibition and the act of choosing mementos from his and Andy Warhol’s lives for this exhibition, but also delved more deeply into his artistic practice and process of collecting. The article and video of his talk can be found here.
Milner was also invited to contribute to The Warhol Blog. In his entry, Milner recalls his process of selection and personal connections to the archival artifacts included in Remains. Full blog post can be read here.
Exposures artist Adam Milner discusses his installation Remains with Jessica Beck, The Warhol’s associate curator of art. Milner’s installation juxtaposes found mementos and detritus from our daily lives alongside unusual objects mined from the permanent collection. Displayed in archival vitrines, Milner’s work highlights the seemingly arbitrary nature of Warhol’s collecting habits and the challenges and failures of the archive to accurately represent the life of the artist. Milner discusses the development of his practice and his work in various media including paintings, drawings, and archival installations. Remains is on view on the museum’s third floor near the archives collection from November 2, 2016 – January 15, 2017.
In March 2016, Adam Milner was included in a group exhibition, Fung Wah Biennial, at Flux Factory, New York City. He was also included in reviews of the Fung Wah Biennial in Art in America, Hyperallergic, and The Gothamist.
Milner recently completed a two-month residency at Casa Maauad in Mexico City. His resultant solo exhibition, A History of Man, his first international solo show, opened August 18, 2016. Images of the exhibition can be seen here.